This is a public service announcement! – an all-purpose post rounding up some recent African Concert Series activity, with a look ahead to some events and releases to come. The latest African Concert Series day at Wigmore Hall took place on 19 July this year. As ever, pianist and curator Rebeca Omordia assembled a remarkable…
Tag: African Concert Series
New tradition: an African Concert Series update
Back in 2018, pianist Rebeca Omordia released a solo recital CD called ‘Ekele’, which showcased African art music – that is, works by African composers who had studied and were influenced by Western classical repertoire. To me – and no doubt many others who came across the album – it was an ear-opening journey into…
Charted territory: an African art music update
Rebeca Omordia is a pioneering champion of African art music – that is, works by African composers that blend the influence of both their own musical roots with their experience and knowledge of the Western classical ‘canon’. Back in spring 2022, I wrote about Omordia’s CD ‘African Pianism’ (SOMM Recordings), a stunning collection of solo…
Spiritual awakening: Leon Bosch & Rebeca Omordia in concert and on disc
The African Concert Series was originally founded and curated by pianist Rebeca Omordia to shine a spotlight on African art music: the diverse work of African composers who, as the series website explains, create “a bridge between Western classical music and African traditional music”. Launched in 2019, the series has had a torrid infancy. After…
(P)review: African Concert Series update
A quick look backward and forward: into the recent past, recalling my most recent visit to an African Concert Series event, and ahead, to let you know about theilr upcoming events. * I collected a new venue in mid-May, on my first encounter with the Africa Centre, slightly hidden away (especially at the moment, thanks…
Continental lift: Rebeca Omordia, ‘African Pianism’; the African Concert Series
This marvellous disc contains multitudes. The variety of sounds and styles packed into its generous 77 minutes showcases not only the infinite intrigue of a music too little-heard until now, but the lightly-worn virtuosity of Omordia herself. (Important note: for the facts/background underpinning this post, I’m indebted to Robert Matthew-Walker’s invaluable booklet notes which, in…
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