Slick and Soulful. ENO’s production of Partenope is a Handel Hit

Partenope was Handel’s first comic opera and was first performed in1730 at the King’s Theatre, London. It is the tale of Queen Partenope’s search for love and the romantic complications she and her circle of suitors encounter along the way. I attended the opening night of Partenope to see Christopher Alden’s award-winning staging of Handel’s…

Gilbert and George -Hogarths of our time

Gilbert and George’s latest show is a collection of their work spanning the past 25 years. The London skies may be concrete grey but the Hayward Gallery is brimming over with vividly hued, kaleidoscopic, digitalised works. Newspaper media abounds – headlines detailing bombings, murders, miscarriages of justice and elsewhere there are male sex ads, ‘religious’…

Self taut: Barbara Hepworth ‘Strings’, Piano Nobile

I managed to see this exquisite exhibition with only a few days to spare: it closes on 2 May. If you are in the right place at the right time – Holland Park, London – I urge you to go if you can. For those of you who cannot get there, here is a brief…

The Cartier success story – the tale of three brothers

The Cartier show at the V&A is officially open and what a glittering show it promises to be! I haven’t been yet and before taking myself along to South Kensington, I have been perusing the pages of Cartier, a V&A publication, which accompanies the exhibition. The heavy tome is a catalogue of sumptuous jewellery that…

The Making of Rodin at the Tate Modern

Guest review by Sarah Mulvey Featured: Mask of Camille Claudel with Hand of Pierre de Wissant, after 1900, plaster assemblage Detail from the Monument to the Burghers of Calais,1889, plaster Rodin’s work evokes very different responses; his humanity is recognised through the fragility and compassion of his works, or by his tolerance of imperfection, but…