Past presence: Dead Space Chamber Music and Kate Arnold

Two brilliantly-timed records that for me sum up the word ‘spirit’: both in the eerie, evocative atmospheres they conjure up, and the sheer inventive brio with which the music was created. * Dead Space Chamber Music are an intriguing collective from Bristol, UK, who seemingly belong to all genres or none. Within the first few…

Striking a harpsichord: Mahan Esfahani, ‘Musique?’

It’s impossible to resist writing about this tour-de-force of an album, a CD I’ve lived with now for a few weeks and keep feeling drawn back to, certain in the knowledge there’s always more to hear, more to appreciate. I would be happy to recommend any of Mahan Esfahani’s recordings, but my true favourites are…

Window to the inner world: Heather Leigh, ‘Glory Days’

Heather Leigh’s previous release, ‘Throne’, was one of my favourite albums of 2018. Picking up the record unawares, you might expect country rock – Leigh sings, and her chief instrument is pedal steel guitar – but that would be a mistake. On first listen, you might wonder just what it is you’ve let yourself in…

Love In a Creative Climate

  Artistic duos tend not to receive the attention they deserve in art history. We often read about the art movements and the artists who create them. The artist’s partner or lover meanwhile is often overlooked, or simply seen in terms of a muse. An ambitious exhibition at the Barbican, entitled Modern Couples: Art, Intimacy…