Betrand Chamayou’s ‘Fragments’ – a tribute to Ravel

It’s almost ten years since French pianist Bertrand Chamayou recorded Ravel’s complete piano works, and now, in this the 150th anniversary year of Ravel’s birth, he has released an album which he calls “a modest contribution” to the “anniversary celebrations of a composer who has been my tireless companion since childhood”. ‘Fragments’ is a portrait…

Communicating Without Words, a Family Speciality

Great performances of chamber trios and quartets often rely on the special relationships of players who communicate without words. But brothers and sisters have a natural advantage, having learned music from childhood together. Body language, discreet nods and the composer’s own “dialogue” work best among groups of siblings. The Pascal Trio (father and two sons)…

Roman Rabinovich plays Goldberg Variations in a live stream at Wigmore Hall

The Goldberg Variations has done more to widen the circle of appreciation for classical music than perhaps any other musical work. It certainly gets the youth vote, and one can see why. Regarded as the holy grail for professional pianists, it’s been interpreted by many young, world-class, artists, often male, but not exclusively so –…

Learning to Listen – a Lost Art Recovered

It’s funny how some random experiences can teach us important lessons in life. On an Air France flight across the Atlantic recently, I clapped on a new set of Bose wireless headphones and within minutes a stewardess was squeezing my shoulder. I looked up and saw her mouth flapping – but she made no sound….

Playing Debussy on his Blüthner was a ‘head-spinning experience’

French pianist François Dumont has still not quite recovered from ‘the excitement, the anxiety’ of playing “Clair de Lune” on Debussy’s own Blüthner piano in a remote French museum. Dumont is one of the select few pianists ever allowed to touch the instrument, now fully restored and in mint condition. It was his credibility as…

New tradition: an African Concert Series update

Back in 2018, pianist Rebeca Omordia released a solo recital CD called ‘Ekele’, which showcased African art music – that is, works by African composers who had studied and were influenced by Western classical repertoire. To me – and no doubt many others who came across the album – it was an ear-opening journey into…

Martha and Marios duo – a match made at the Barbican

To the Barbican Centre I went last week to see Martha Argerich perform Beethoven’s Concerto no. 2 in B flat major with the Oxford Philharmonic Orchestra. On the program also, Samuel-Coleridge Taylor ‘s Ballade in A minor and Tchaikovsky’s Symphony No 4 in F minor. Outside the Barbican auditorium a long queue snaked around the pillars of…

Pianist Joanna Kacperek produces a captivating album with ‘Variations’

With ‘Variations’, pianist, Joanna Kacperek, has chosen to focus on the humble variation. Like many other composers before them and since, Beethoven, Robert and Clara Schumann, Brahms and Chopin, composed many variations. On this album, Kacperek artfully displays the creative possibilities of these variations, which were a way of exploring a theme for these composers,…