Learning to Listen – a Lost Art Recovered

It’s funny how some random experiences can teach us important lessons in life. On an Air France flight across the Atlantic recently, I clapped on a new set of Bose wireless headphones and within minutes a stewardess was squeezing my shoulder. I looked up and saw her mouth flapping – but she made no sound….

Playing Debussy on his Blüthner was a ‘head-spinning experience’

French pianist François Dumont has still not quite recovered from ‘the excitement, the anxiety’ of playing “Clair de Lune” on Debussy’s own Blüthner piano in a remote French museum. Dumont is one of the select few pianists ever allowed to touch the instrument, now fully restored and in mint condition. It was his credibility as…

New tradition: an African Concert Series update

Back in 2018, pianist Rebeca Omordia released a solo recital CD called ‘Ekele’, which showcased African art music – that is, works by African composers who had studied and were influenced by Western classical repertoire. To me – and no doubt many others who came across the album – it was an ear-opening journey into…

Martha and Marios duo – a match made at the Barbican

To the Barbican Centre I went last week to see Martha Argerich perform Beethoven’s Concerto no. 2 in B flat major with the Oxford Philharmonic Orchestra. On the program also, Samuel-Coleridge Taylor ‘s Ballade in A minor and Tchaikovsky’s Symphony No 4 in F minor. Outside the Barbican auditorium a long queue snaked around the pillars of…

Pianist Joanna Kacperek produces a captivating album with ‘Variations’

With ‘Variations’, pianist, Joanna Kacperek, has chosen to focus on the humble variation. Like many other composers before them and since, Beethoven, Robert and Clara Schumann, Brahms and Chopin, composed many variations. On this album, Kacperek artfully displays the creative possibilities of these variations, which were a way of exploring a theme for these composers,…

Bywater’s staging of Britten’s Turn of the Screw lifts the opera to new heights

Benjamin Britten’s opera, The Turn of the Screw, is a psychological thriller based on Henry James’s novella of the same title. In the world of opera, psychological thrillers are thin on the ground and for good reason – it is hard to express narrative ambiguity or uncertainty in musical theatre. Isabella Bywater’s production at English National Opera…

English Touring Opera kick starts its 2024 Autumn Season with an entrancing production of Rimsky-Korsakov’s ‘Snowmaiden’

Last week English Touring Opera opened their Autumn touring season with Rimsky-Korsakov’s Snowmaiden. The Snowmaiden premiered at the Mariinsky Theatre, St Petersburg, in 1882 and the Hackney Empire’s plush red stage curtain certainly brought a flavour of Imperial Russia to this evening’s performance.. The stage was lit with a circle of light – glass panels encased wintry…