English Touring Opera kick starts its 2024 Autumn Season with an entrancing production of Rimsky-Korsakov’s ‘Snowmaiden’

Last week English Touring Opera opened their Autumn touring season with Rimsky-Korsakov’s Snowmaiden. The Snowmaiden premiered at the Mariinsky Theatre, St Petersburg, in 1882 and the Hackney Empire’s plush red stage curtain certainly brought a flavour of Imperial Russia to this evening’s performance.. The stage was lit with a circle of light – glass panels encased wintry…

Paul Grant Cuts It as the Barber of Seville at Opera Holland Park

It was over to Opera Holland Park again, this time for Rossini’s The Barber of Seville. In its time, this opera was a huge success and it remains popular to this day. I have seen it twice in the last few months, at English National Opera, and last Thursday at Opera Holland Park. What makes this such…

Tosca and her Toy Boy tenor impress at OHP

Opera Holland Park has opened the season with Puccini’s operatic blockbuster Tosca.  At OHP the stage was transformed into a back alley in Rome. It was 1968, mid-election, and there was trouble on the streets. In the opening scene, the police laid into demonstrators, political prisoners hid out in the church, while police chief, Scarpia, issued…

English National Opera brings comedy to the fore with The Barber of Seville

Rossini’s Barber of Seville doesn’t often get the attention it deserves. Perhaps because it has often been unfavourably compared to Mozart’s weightier opera, Marriage of Figaro. The Barber of Seville and The Marriage of Figaro started life as plays by eighteenth century playwright, Pierre Beaumarchais. Sharing the same main characters, the operas are often confused….

Up close with National Opera Studio’s Young Artists

It can be a rocky road for young artists in the opera world. Years of opera training and no guarantee of success. Still – there is help out there. Private patrons and mentors are part of the answer, providing much needed financial support and mentoring for cash-strapped singers. The National Opera Studio, NOS for short,…

Three dolours trilogy: Puccini, ‘Il trittico’, Scottish Opera

‘Il trittico’ – or, ‘The Triptych’ – is made up of three one-act operas, each roughly an hour long, that on the surface appear totally distinct. So much so, in fact, that companies often break the work up into something more manageable: presenting two parts as a double-bill, for example, or pairing one of the…

Kitchen-sink drama: Handel, ‘Theodora’, at the Royal Opera House

Handel’s ‘Theodora’ is an oratorio. In other (well, more) words, it’s a vocal/choral work that would normally have a plot at its core, but presented as a purely aural experience. Traditionally, oratorios would be sung in concert with no staging, movement, or action to speak of. The music must propel any narrative, drive every reaction,…