Last week English Touring Opera opened their Autumn touring season with Rimsky-Korsakov’s Snowmaiden. The Snowmaiden premiered at the Mariinsky Theatre, St Petersburg, in 1882 and the Hackney Empire’s plush red stage curtain certainly brought a flavour of Imperial Russia to this evening’s performance.. The stage was lit with a circle of light – glass panels encased wintry…
Tag: opera
ENO staging of ‘Suor Angelica’ recalls a dark time in Ireland’s female history
Suor Angelica is a rarely performed, one-act opera by Puccini. When played at all, it is often sandwiched together between two other short operas, Il Tabarro and Gianni Schicchi which probably explains why the work has been overlooked (Gianni Schicchi has tended to be favoured over the other two). Director of ENO, Annalise Miskimmon, was…
‘Edgar’ – Puccini’s early unloved opera performed at Opera Holland Park
2024 is the centenary of Puccini’s death. In order to honour the great man, James Clutton, Director of Opera at OHP, opted to put on Tosca this season and also Edgar, a little-known early work of Puccini’s. Edgar premiered at La Scala in 1899 and received a lacklustre reception. Believing he could improve on the opera,…
Paul Grant Cuts It as the Barber of Seville at Opera Holland Park
It was over to Opera Holland Park again, this time for Rossini’s The Barber of Seville. In its time, this opera was a huge success and it remains popular to this day. I have seen it twice in the last few months, at English National Opera, and last Thursday at Opera Holland Park. What makes this such…
Tosca and her Toy Boy tenor impress at OHP
Opera Holland Park has opened the season with Puccini’s operatic blockbuster Tosca. At OHP the stage was transformed into a back alley in Rome. It was 1968, mid-election, and there was trouble on the streets. In the opening scene, the police laid into demonstrators, political prisoners hid out in the church, while police chief, Scarpia, issued…
English National Opera brings comedy to the fore with The Barber of Seville
Rossini’s Barber of Seville doesn’t often get the attention it deserves. Perhaps because it has often been unfavourably compared to Mozart’s weightier opera, Marriage of Figaro. The Barber of Seville and The Marriage of Figaro started life as plays by eighteenth century playwright, Pierre Beaumarchais. Sharing the same main characters, the operas are often confused….
Up close with National Opera Studio’s Young Artists
It can be a rocky road for young artists in the opera world. Years of opera training and no guarantee of success. Still – there is help out there. Private patrons and mentors are part of the answer, providing much needed financial support and mentoring for cash-strapped singers. The National Opera Studio, NOS for short,…
Three dolours trilogy: Puccini, ‘Il trittico’, Scottish Opera
‘Il trittico’ – or, ‘The Triptych’ – is made up of three one-act operas, each roughly an hour long, that on the surface appear totally distinct. So much so, in fact, that companies often break the work up into something more manageable: presenting two parts as a double-bill, for example, or pairing one of the…
Karine Hetherington’s music highlights in London and Paris and CD Choice for 2022.
In 2022 it was a joy to be back at the Wigmore Hall, King’s Place, English National Opera, Royal Opera and Opera Holland Park. In February, Royal Opera House offered up an imaginative staging of Handel’s oratorio Theodora. Theodora came with a great cast, featuring the fabulous Joyce DiDonato as Irene and new countertenor, Jakub…
Kitchen-sink drama: Handel, ‘Theodora’, at the Royal Opera House
Handel’s ‘Theodora’ is an oratorio. In other (well, more) words, it’s a vocal/choral work that would normally have a plot at its core, but presented as a purely aural experience. Traditionally, oratorios would be sung in concert with no staging, movement, or action to speak of. The music must propel any narrative, drive every reaction,…