Oceania at the Royal Academy of Arts

  Oceania, the Royal Academy’s new survey of Pacific Art,  opens with a 35 ft. cascade of polyethylene sheeting, which sweeps through the central octagonal hall like an azure wave. It’s been sewn using traditional techniques by the contemporary Māori women’s collective Mata Aho. An adjoining roomful of seagoing paraphernalia continues the watery theme; here…

Last chance to see ‘Augustus John: Drawn from Life’ at Poole Museum

Venture out of the metropolis for the day (or longer) to the small seaside town of Poole, next to Bournemouth, for a small but perfectly formed exhibition of paintings, drawings and sculpture by Augustus John, at one time considered one of the most famous British artists of the twentieth century, though his sister Gwen is…

Fortune’s Favours: ‘Sir Richard Wallace the Collector’ at the Wallace Collection, London

How to typify the Wallace? Can you, indeed? In spirit it’s maybe close to the passion of a collector such as Sir John Soane, who also founded his own public museum (there is something very English about this kind of obsession – think of the Ashmolean in Oxford, the Fitzwilliam Museum in Cambridge). It’s something like the Frick in New York, only bigger, better, wider-ranging. There’s not an item in it that doesn’t have some claim to be exceptional – rare beyond belief if not unique, superlatively made, exquisitely beautiful.

The Kahlo Cult: ‘Frida Kahlo – Making Herself Up’ at the V&A

That the V&A’s Frida Kahlo exhibition is fully booked until the end of August says a lot about her iconic status today – and it’s not her paintings that people flock to see but the “iconography” of Frida: her clothes, her painted plaster corsets, her jewellery and her ephemera. Her striking countenance with its distinctive…

Aftermath: Art in the Wake of World War One at Tate Britain

Tate’s  survey of the impact of the First World War on art opens with a series of iconic images of conflict. There is Jacob Epstein’s Terminator-like torso in bronze from his ‘The Rock Drill’ of 1913-14, as unnerving as ever. There are photographs of shattered cathedrals, actual helmets dented by shrapnel, and post-war Illustrated Michelin…

Just add water: Monet and Architecture at the National Gallery

Monet was born a city-boy, in Paris, but grew up to be the great philosopher-artist of the rural (haystacks) and the bucolic (his lily-pond). Aside from his mirage-like studies of the front of Rouen cathedral, you don’t think of him in relation to architecture, or as having been inspired by the hustle and bustle of…

Picasso’s ‘Year of Wonders’ at Tate Modern

Picasso’s output was so vast and so diverse that exhibition organizers tend to focus on just one aspect of his work. His portraits, for example, were covered in a show at the NPG in 2016 and  last year’s ‘Minotaurs and Matadors’ at Gagosian was about his fascination with bullfighting. Now Tate Modern – in what,…

All too human curating at Tate Britain

Tate Britain’s new exhibition ‘All Too Human: Bacon, Freud and a century of painting life’ is about art based on everyday experience. A very British preoccupation, you might think, if the story of twentieth century painting in this country is anything to go by. Unfortunately, this interesting premise is marred by some very questionable curating decisions,…