Venture out of the metropolis for the day (or longer) to the small seaside town of Poole, next to Bournemouth, for a small but perfectly formed exhibition of paintings, drawings and sculpture by Augustus John, at one time considered one of the most famous British artists of the twentieth century, though his sister Gwen is now considered the greater talent.
John had a connection with Dorset from his time as a student at the Slade School of Art in London and in 1911, he set up home at Alderney Manor, in Poole, before moving in 1927 to Fryern Court, near Fordingbridge, on the Hampshire-Wiltshire-Dorset borders. This remained his main residence for the rest of his life.
The exhibition at Poole Museum is the first major exhibition focusing on John’s work since ‘Gwen John and Augustus John’ at Tate Britain in 2005. It’s curated by David Boyd Haycock, who has also curated a companion exhibition in Salisbury on John’s contemporary Henry Lamb, and which opens in Poole in 2019.
Already famous by the time he moved to Dorset, John sought solace and inspiration in the countryside around Alderney Manor. The pinewoods and beaches found their way into his paintings, rendered with a vibrantly-hued palette redolent of the south of France and the work of the Fauves. The portrait ‘Dorelia Among the Pines’ could easily be set in Provence.
Other works in the exhibition feature John’s children, rendered with tender affection. The drawings reveal John’s greatest artistic skill – as a draughtsman – and his famous sketch of T E Lawrence (Lawrence of Arabia) is here along with a rapid pencil drawing of Lawrence made in Paris*, strikingly spare and personal. John’s oil portrait of Lawrence in his Arab robes is also included. (Visitors may be inspired to follow the “Lawrence Trail” – as we did – a short drive from Poole to Lawrence’s house Clouds Hill near Wareham, and thence to his grave in the pretty little village of Moreton; take in the Laurence Whistler engraved glass windows in the church as well.)
This is a very fine exhibition, at least equal to a similar presentation at the Courtauld Gallery in London, revealing a more personal, intimate facet of John’s work at the mid-point of his career, while also confirming his status, at the time, as a leading artist.
We will be returning to Poole Museum in 2019 to see the Henry Lamb exhibition.
*Recently acquired by Poole Museum
FW & NM
Header image: Augustus John, An Hour at Ower, 1914 © The estate of Augustus John / Bridgeman Images