Artistic duos tend not to receive the attention they deserve in art history. We often read about the art movements and the artists who create them. The artist’s partner or lover meanwhile is often overlooked, or simply seen in terms of a muse. An ambitious exhibition at the Barbican, entitled Modern Couples: Art, Intimacy…
Category: review
The Sound of Silence. Cage and Rauschenberg Take On A New Life With MusicArt.
During the summer of 1952, composer John Cage staged a happening that was going to change the world of music and art forever. At Black Mountain College in North Carolina, in the college dining hall, the audience listened to Cage read from an essay he had written on the relationship between music and Zen Buddhism….
Sax and Jazz. Jean Toussaint Still Has Youth Appeal
Sunday night in Camden. The temperature has plummeted and there are few people about on the high street. Outside the Jazz Cafe however there is a queue forming. I rush to join it and edge my way forwards between the metal barriers to get my wrist stamped. A young man runs alongside us peddling…
Britten’s War Requiem finds new life with ENO’s staging
At the Coliseum to watch the first UK staging of Benjamin Britten’s War Requiem on its opening night, I was curious to see how Turner prize-winning photographer, Wolfgang Tillmans would tackle this work as set designer. War Requiem’s reputation has soared since 1962, when it was first performed in Coventry Cathedral. As a choral work,…
The shudder that counts: ‘Salome’ at ENO
English National Opera’s 208/19 season opened with Richard Strauss’s dark and disturbing psycho-drama Salome in a visually striking and lyrically-sung new production.
Last chance to see ‘Augustus John: Drawn from Life’ at Poole Museum
Venture out of the metropolis for the day (or longer) to the small seaside town of Poole, next to Bournemouth, for a small but perfectly formed exhibition of paintings, drawings and sculpture by Augustus John, at one time considered one of the most famous British artists of the twentieth century, though his sister Gwen is…
Fortune’s Favours: ‘Sir Richard Wallace the Collector’ at the Wallace Collection, London
How to typify the Wallace? Can you, indeed? In spirit it’s maybe close to the passion of a collector such as Sir John Soane, who also founded his own public museum (there is something very English about this kind of obsession – think of the Ashmolean in Oxford, the Fitzwilliam Museum in Cambridge). It’s something like the Frick in New York, only bigger, better, wider-ranging. There’s not an item in it that doesn’t have some claim to be exceptional – rare beyond belief if not unique, superlatively made, exquisitely beautiful.
LOST HISTORY RECLAIMED: William Kentridge’s ‘The Head and the Load’
‘…shadow-play, defunct documentation, African dance, early jazz, Dada-ist insanity and historical fact…’
EAST MEETS EAST END: A NEW DIVAN AT WILTON’S MUSIC HALL
…the combination of music and poetry can be blissful, or it can be exhausting. On Thursday it was exhilarating, high-spirited, unexpected and delightful.
A Great Spectacle: a revved up RA Summer Exhibition & opening of new gallery spaces
Royal Academy of Arts, Piccadilly, London W1 The RA Summer Exhibition, 250 years old this year, is as English as strawberries and cream, Wimbledon tennis, and wasps at a summer picnic. It’s a key part of the summer season and is the world’s most democratic art show: any one can submit work, from professional artists…
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