Here at ArtMuseLondon we’ve been less than enthusiastic, to say the least, about some of the temporary exhibitions Tate Britain has put on of late. Mayhap some imp of perversity has been loose around Millbank these past few years. How else to explain the questionable curatorial decisions, the squandered opportunities, the telltale signs of hobby-horses…
Author: ArtMuseLondon
ArtMuseLondon is a site for reviews of art exhibitions and music in London, and general cultural musings, written by people with a keen interest and an honest, accessible approach.
Sorolla: Spanish Master of Light
The Spanish impressionist artist, Joaquín Sorolla y Bastida (1863-1923), is little known outside of Spain. Half a million flocked to his retrospective at the Prado Museum in 2009. Meanwhile his house in Madrid, now the Sorolla Museum, has become a tourist destination and is best visited, I imagine, out of season. And yet how…
McBurney’s Magic Flute Enchants Again.
Mozart’s Magic Flute is an unusual opera, full of Viennese slapstick, magic and strange journeys through a fairy-tale landscape. Emanuel Schikaneder, who wrote the libretto, was a theatre-manager, actor and most importantly, Mozart’s friend. The two relished working together and being both a little strapped for cash in 1791, they strove to create an opera…
Parr Displaying His Humanity at National Portrait Gallery
Porthcurno, Cornwall, England, 2017. Martin Parr/Magnum Photos/Rocket Gallery In the same week I watched Don McCullin, photographer extraordinaire, take pictures of fox hunts and Eastbourne in the rain, in the BBC’s Looking for Britain, I find myself at Martin Parr’s Only Human show at the National Portrait Gallery. In it, Parr also explores identity and what…
PRIVATES ON PARADE: The Renaissance Nude at the Royal Academy
You can’t put on a show like this without provoking the odd giggle, but The Renaissance Nude will also have you pondering, especially in today’s context, what our attitudes toward sex and nudity and gender were in the past, and hit they might become.
‘The Merry Widow’ Comes of Age
‘Can you hold my drink so that I can leap over you,’ bellows a middle-aged woman in front of me to perfect strangers. Friday night at the Coliseum and some of the punters in the dress circle have been overdoing the Sauvignon. It’s also the opening night of The Merry Widow and all this boisterous…
Diane Arbus: In the Beginning
Diane Arbus in Washington Square Park, New York City, 1967. Photograph: John Gossage Diane Arbus remains a giant in the photography world. Her suicide at the age of 48 has contributed to her legendary status. Hailed as a tormented genius, much has been written about her psychological fragility and her obsession…
SCANDI-NOIR IN SE21: Harald Sohlberg the Dulwich Art Gallery
There is a sense in these works of the landscape giving form to thought, a quality that puts you in mind immediately of the similarly curious, almost uninhabited cityscapes of Atkinson Grimshaw.
Philip Glass’s Akhnaten at ENO
The audience settles, the house lights dim, ominous music begins to build in the orchestra pit. ‘Opened are the double doors of the horizon/Unlocked are its bolts’, the narrator intones. Welcome to 18th Dynasty Egypt as envisaged by American minimalist composer Philip Glass. You don’t have to be a fully paid-up Glasshead to enjoy the…
Don McCullin
Don McCullin, who has a fair claim to the title of the UK’s greatest living photographer, was born in 1935 in Finsbury Park – a bloody tough area of London before the war, and even more so after, when much of it had been bombed flat. The first photograph McCullin was paid for, in 1958,…
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