‘Finale with no ending’ Burstein celebrates the diversity of music

In May of this year I attended the premier of Keith Burstein’s new work, Finale With No Ending, a sextet, which offers tango, Jewish folk music with sumptuous classical orchestration. On stage at the Royal College of Music, Burstein gave the audience some insights into its creation. An early memory of his father playing accordion…

Shostakovich’s 7th Symphony – music for war and resistance

This week it was off to the Philharmonie de Paris, a state-of-the-art concert hall in the north-eastern periphery of the French capital. Paris may be my second home, but this was my first visit to this musical institution designed by the architect Jean Nouvel. Opened in 2015, after a six year wait, there was a lot…

Mozart’s Cosi fan tutte in Coney Island

Cosi Fan Tutte premiered a year before Mozart’s death in 1791. It’s probably one of our most popular operas today, largely due, but not exclusively, to its exquisitely crafted arias, which Mozart produces one after another for his female singers. I attended opening night of Cosi at English National Opera with mixed feelings however. I…

Slick and Soulful. ENO’s production of Partenope is a Handel Hit

Partenope was Handel’s first comic opera and was first performed in1730 at the King’s Theatre, London. It is the tale of Queen Partenope’s search for love and the romantic complications she and her circle of suitors encounter along the way. I attended the opening night of Partenope to see Christopher Alden’s award-winning staging of Handel’s…

Odd Sympathies

Matthew Schellhorn, piano This new release from British pianist Matthew Schellhorn draws together an interesting and eclectic selection of piano pieces. As a long-standing champion of contemporary composers through commissions and premières, Schellhorn brings new music to a wider audience. The pieces on this new album all are by living composers, including Cheryl Frances-Hoad, Michael…