PRIVATES ON PARADE: The Renaissance Nude at the Royal Academy

You can’t put on a show like this without provoking the odd giggle, but The Renaissance Nude will also have you pondering, especially in today’s context, what our attitudes toward sex and nudity and gender were in the past, and hit they might become.

‘The Merry Widow’ Comes of Age

  ‘Can you hold my drink so that I can leap over you,’ bellows a middle-aged woman in front of me to perfect strangers. Friday night at the Coliseum and some of the punters in the dress circle have been overdoing the Sauvignon. It’s also the opening night of The Merry Widow and all this boisterous…

Diane Arbus: In the Beginning

      Diane Arbus in Washington Square Park, New York City, 1967. Photograph: John Gossage   Diane Arbus remains a giant in the photography world. Her suicide at the age of 48 has contributed to her legendary status. Hailed as a tormented genius, much has been written about her psychological fragility and her obsession…

Philip Glass’s Akhnaten at ENO

The audience settles, the house lights dim, ominous music begins to build in the orchestra pit. ‘Opened are the double doors of the horizon/Unlocked are its bolts’, the narrator intones. Welcome to 18th Dynasty Egypt as envisaged by American minimalist composer Philip Glass. You don’t have to be a fully paid-up Glasshead to enjoy the…

Don McCullin

Don McCullin, who has a fair claim to the title of the UK’s greatest living photographer, was born in 1935 in Finsbury Park – a bloody tough area of London before the war, and even more so after, when much of it had been bombed flat. The first photograph McCullin was paid for, in 1958,…

Dior and the Story of the Perfect Dress

In his autobiography Christian Dior tells the story of a fortune teller he met at a 1919 charity event for veterans of the Great War. He was an impressionable, imaginative young man. The fortune teller told him that he would suffer poverty earlier on in his life but that his luck would change and that…

Pierre Bonnard: the Colour of Memory

  The art of Pierre Bonnard (1867-1947) conjures up images of intimate bourgeois interiors suffused with high key, sun-drenched colour. Another notable feature of Bonnard’s work is the near-ubiquity of his mistress, muse and – eventually – wife, Marthe de Méligny. So omnipresent is Marthe in his paintings, in fact, that Julian Barnes called his…

Love In a Creative Climate

  Artistic duos tend not to receive the attention they deserve in art history. We often read about the art movements and the artists who create them. The artist’s partner or lover meanwhile is often overlooked, or simply seen in terms of a muse. An ambitious exhibition at the Barbican, entitled Modern Couples: Art, Intimacy…