When George Fu lost his father, he turned to Schubert for solace. Fu likened the experience of playing Schubert’s Sonata No 19 in C minor to receiving “a hug from 200 years ago”. Out of this difficult time came a recording, Solitude with Schubert. Impressed with the Schubert project, Karine Hetherington from ArtmuseLondon, went to find…
Tag: Classical music
Sound design: Xuefei Yang & Ning Feng, Wigmore Hall, London, UK
Always grateful for a chance to hear guitarist Xuefei Yang play live, I was especially keen to catch this fascinating programme developed in collaboration with violinist Ning Feng. As part of Wigmore Hall’s series of hour-long Sunday morning recitals, it was compact yet wide-ranging: a perfect opportunity to escape the glue-like British humidity into the…
Musical moment: Carolyn Sampson & Joseph Middleton, ‘1901’, Wigmore Hall, London, UK
2026 marks Wigmore Hall’s 125th anniversary, and the venue has been celebrating its birth year in style, with a fortnight-long festival of over 20 concerts. This jewel among them took us back to when the Hall opened its doors, with every song featured dating back to 1901. Followers of this duo will already be familiar…
Star turn: Simone McIntosh & Nathaniel LaNasa, Messiaen’s ‘Harawi’, Wigmore Hall, London
This Sunday afternoon recital promised to be a true rarity. In all the time I’ve been going to Wigmore Hall – in fact, attending art song concerts anywhere – I’ve never knowingly seen Messiaen’s ‘Harawi’ programmed. Recordings also seem relatively scarce, with a handful of mentions on the esteemed Presto Music website, and some of…
Through the fire and flood: ‘Siegfried’ and ‘The Turn of the Screw’, Royal Ballet & Opera
From fights to frights at the RBO, as I managed to escape from reality there twice in a week: first to see ‘Siegfried’, the third instalment in Barrie Kosky’s ongoing Ring cycle for the company. While we’re talking very narrow margins, ‘Siegfried’ has tended to be my least favourite of the four Ring operas. I’ve…
Pianist Siqian Li: “Being well-behaved in music is not a compliment.”
Pianist Siqian Li: “Being well-behaved in music is not a compliment.”
Shostakovich’s 7th Symphony – music for war and resistance
This week it was off to the Philharmonie de Paris, a state-of-the-art concert hall in the north-eastern periphery of the French capital. Paris may be my second home, but this was my first visit to this musical institution designed by the architect Jean Nouvel. Opened in 2015, after a six year wait, there was a lot…
Tracks of my tears: Fretwork with Ian Bostridge & Elizabeth Kenny, ‘John Dowland’s Lachrimaes’, Milton Court, London
2026 marks the 400th anniversary of John Dowland’s death. Although it’s an appropriately melancholy milestone, one can only rejoice if it prompts more beautiful concerts like this one throughout the year. I confess that I’m frequently wary of the idea that the worth of music, art or literature from the past rests on its ‘relevance’…
Queasy listening: ‘Rise and Fall of the City of Mahagonny’, English National Opera, London
The city of Mahagonny rose and fell three times in the space of a week in ENO’s recent ‘blink-and-you’ll-miss-it’ production. Fortunately, enough people did notice and the entire run sold out – so I am glad to have made it to the closing night. This uncompromising, scathing satire from Kurt Weill and Bertolt Brecht tells…
Mozart’s Cosi fan tutte in Coney Island
Cosi Fan Tutte premiered a year before Mozart’s death in 1791. It’s probably one of our most popular operas today, largely due, but not exclusively, to its exquisitely crafted arias, which Mozart produces one after another for his female singers. I attended opening night of Cosi at English National Opera with mixed feelings however. I…
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